Essays

• BUZZFEED READER
  • The New Spider-Man Movie Makes Live-Action Heroes Look Boring
  • These Netflix Comedies Show Teens in All Their Gross, Embarrassing Glory
  • Why Is “Death Stranding” the Video Game People Took Seriously This Year?
• FANBYTE
  • I Played Disco Elysium as an Absolutely Gigantic Fascist
  • Tarantino Dismantles His Time Machine
• POLYGON
  • Can The Witcher and The Mandalorian Survive Streaming Culture?
  • What Every Anthology Series Can Learn from the Wild Anime, Space Dandy
• ROCK, PAPER, SHOTGUN
  • Hitman’s Humour Evolved Because of 47’s Penchant for Disguises
• THE VERGE
  • Cult Favorite Anime FLCL Still Shines 15 Years Later

Interviews

• EGM
  • A Russian Crucible: Pathologic 2 and the Problem of Video Game Difficulty
•  FANBYTE
  • The Physicality of Consciousness: A Conversation with Larry Fessenden

Lists

• SLANT MAGAZINE
  • The 100 Best Video Games of the 2010s (capsules for Anatomy, Butterfly Soup, Cart Life, Cibele, Death Stranding, Downwell, Everything is going to be OK, Fallout: New Vegas, FTL: Faster Than Light, Jazzpunk, Just Cause 2, Kentucky Route Zero, Oxenfree, Pathologic 2, Return of the Obra Dinn, Super Meat Boy, VVVVVV)
• POLYGON
  • Undone Follows a Rich Tradition of Deliberate Rotoscope Animation
• SYFY Wire
  • A Brief History of Godzilla Cartoons

Reviews

• FANBYTE
  • • Concrete Genie
    • Uncut Gems
• SLANT MAGAZINE
  • Movies
    • Depraved
    • Girl on the Third Floor
    • Greener Grass
    • I Lost My Body
  • TV
    • Chernobyl
    • Joe Pera Talks with You
    • The Loudest Voice
    • Watchmen
  • Video Games
    • Hypnospace Outlaw
    • Kentucky Route Zero: TV Edition
    • The Outer Worlds
    • Red Dead Redemption II